Love, Hate, Lust…Write for a new TV Series – Week 5 Challenge – Feedback from Jordan Howard

by:  Jordan Howard

First of all, songwriters are the back bone of the musical landscape on this planet so thank you for your passion, your drive and your talent.

This challenge was a decent look into what my job is like almost every single day. Most of the time I will receive a “call out” such as the one that I sent to you guys but I will usually not have any more information than what is given to me in that one email. Often I receive very broad requests for music so I understand how difficult it probably is to write something in less than a week when you don’t really know what the scene is or what exactly the directors and editors are looking for.

This weeks winner is Holes by Sean Bertram

I love the groove of this song. Great tempo and the chorus is very strong lyrically and melodically. I would like to see of the lyrics in the verse’s be flushed out a little but you really nailed the Black Keys thing. Elevate the production quality and I would definitely pitch this.

Pat Canavan – Bury Me

Cool song. If I had to guess, I would say that someone is a Pink Floyd fan? The song does seem to drag a little and feels like one giant chorus. Normally this would be a problem however in the context of the challenge it actually works. The more hooky the better. Better production and this could definitely work.

Scott MacKay – A Good Impression

I dig this. Would love to see some more instrumentation come in the second verse (right at “you can tell”) maybe a snare and acoustic, then let the violin come in after but that’s just production. The song also needs a chorus but the melody also acts as a hook so it could attract the supervisors attention in a different way.The lyrics are broad and thus excellent for film/tv. I think this song would work great with a female voice in the last verse which would give the film/tv people a little more variety in the song. It would also be cool to have a girl sing the words “Better lock yer windows. Double-check Now she’s got her fingers round your neck”

Glen MacNeil – Dangerous

The feel of this song is exactly what I was looking for. Minor key!!I would like to see some progression in the guitar line to differentiate between the chorus and the verse’s. Lyrically the song is very strong and is really akin to what I had originally requested.

Donald Delano – Blood Red Rose

I love the feel of this song. Very “True Blood-esque” if you get the reference. I also really like the mood change when the chorus kicks in and its a great tempo for film/tv placement

Adri Anne Ralph – So Easy

The vocals are excellent. I’m not 100% sure that it works for the type of show that we are looking at but it definitely has placement possibilities. I would suggest moving the beat up in the song as the first 90 sec or so does seem to drag a bit.

Tea Petrovic – Begging For More
This is exactly what I was looking for. A little production to be done in the chorus to really create that “Umph” but overall this is really great. Strong vocals, cool instrumentation and the song ties together really well. Excellent job.

Katy Carswell – Sweet Hell

Excellent vocals and a strong melody. I would love to see the kick drum from the chorus continue and pick up through the 2nd verse to create a build.

2015 S.A.C. Blogging & Songwriting Challenge Wrap Up

Creative Commons License.  Photo by Andrew Hurley
Creative Commons License. Photo by Andrew Hurley

The 2015 S.A.C. Blogging and Songwriting Challenge was the first of its kind.  Every week industry professionals issued challenges that allowed our 121 participants a taste of life as a professional songwriter.  Those who committed themselves 100% to the task found that songwriting took over their lives, consuming their thoughts and time.  For many it was a taste of the life they aspire to live.

We are grateful to each of our professional mentors, Rob Wells, Heather Gardner, Ron Irving, Jordan Howard, Vincent Degiorgio and Cara Heath, who not only issued challenges but also provided personal feedback to a handful of submissions vetted by our songwriting coaches.  The response from the industry was so positive we were able to give participants a choice of taking on two challenges in the final week.  It is generous of them to have taken the time to nurture the next generation of songwriters.

We are also grateful to our songwriting coaches, Debra Alexander and James Linderman who lived in the trenches with our songwriters.  Our coaches shared advice on lyrics, chord structures and collaboration, going far above and beyond what was expected, fuelled by their genuine desire to see our participants succeed.  For many of our songwriters, the help these coaches provided defined their experience of this challenge, opening up new tools and techniques to apply to their craft.

We would also like to thank Barb Sedun for arranging a real life pitch to Matt Dusk (to be posted below), along with Matt himself and his management team for their willingness to give our emerging songwriters a chance to present him songs that would expand his sound for his next album.  Having a real opportunity like this has been a game-changer, increasing the intensity in a way no other challenge could.

Lastly, we must thank all of our passionate participants.  Everyday the Facebook group was full of positive feedback and constructive criticism as many songwriters shared their work in progress, often times in genres far outside their comfort zones.  So much zeal. So much love.  By the end of the first week, the group began to feel like a summer camp of sorts, with new friendships forming that we hope will continue long after this challenge is history.

So, we end with where we began.  It is time to submit your song for Challenge No. 1 issued by Matt Dusk. Please post the following below by Tuesday, March 24 at 11:59pm:

1.  Your Name
2.  What was the hardest challenge or hardest part of the challenge for you and why?
3.  What did you enjoy most about participating in this experience?
4.  What is something significant that you learned from taking on this challenge? (It can be about yourself or about the challenge)
5.  Would you do this type of challenge again?  Why or why not?
6.  Your link to your Matt Dusk submission.  Please include lyrics on your SoundCloud page.  If one of your collaborating partners is submitting the link to your song, you can refer to their posting (ie. See link from ____________).

S.A.C. Challenge – Week 5 – Issued by Jordan Howard – Write for a pitch for a new TV Series

JordanHowardJordan Howard is Creative Director at CCS Rights Management.  The company provides Music IP Management Publishing. Their roster of services includes sync licensing.  Here is his challenge:

Challenge: I am looking for songs to pitch for a new series on Lifetime that stars Christina Ricci. The series can be best described as a 19th Century “Dexter.” Series centers around a female anti-hero, lots of emotions. Love, Lust, Hate, Danger. Musically I am looking for songs in the vain of: Black Keys, Bon Iver, Band of Skulls, Carolina Chocolate Drops, James Vincent McMorrow. For one episode, I am looking for a replacement for Hozier’s “To Be Alone.” As long as the song is in a similar wheelhouse and is lyrically similar, that is what is most important.

Deadline:  March 16, 11:59pm EST.

Please submit the following in the comments below:
1.  Link to a blog post about your experience with this challenge.
2.  Link to your song (preferably on SoundCloud) with lyrics posted in SoundCloud.
Good luck!