Kayo moved to Canada to study marketing at Saint Mary’s University. While in Halifax, Kayo immersed himself into the local hip-hop scene. It was at this time that Kayo met Classified and after working together under Half Life Records & with EMI Music Canada, Kayo branched off to pursue his love for music independently. He has since released 9 projects, and most recently in April released ‘Winter in St Lucia: An Extended Play By Kayo’.
Kayo’s music is all about creating a uniquely aggressive and penetrating sound, songs filled with substance and purpose, a little sugar with the medicine.
- What inspires you to create music?
Life and experiences inspire me the most, whether my own personal experiences or the experiences of those around me. A spark for a song idea can come from anything, from having a conversation with someone, overhearing a conversation on the bus, to seeing a cool meme on instagram. I try to be a vessel and allow even the most seemingly trivial things to have value in my life through the inspiration it brings.
- Do you have a process to your songwriting or when creating music?
My process varies. I jot down lines or phrases during the course of the day in a note on my phone called ‘Random Barz’. Some mornings I ‘free-write’. It doesn’t matter the topic, it doesn’t even matter if it rhymes. I put those in a different note called ‘Free Shmoke’. These notes are the ammo I take into my sessions. When in a session, I like to start by letting the music move me. It doesn’t have to be a fully produced beat. It can be a simple as some chords on a guitar or piano. I then freestyle and mumble different flows and melodies until I find something that moves me. I’d run a voicenote to record this process as to capture any idea that I come up with. I’d also skim through my ‘Random Barz’ and ‘Free Shmoke’ notes in hopes that something in there works or sparks more ideas. Or sometimes, I would record me freestyling over the beat about 2 or 3 times. Most of it would be jibberish but I usually get some good ideas from this process. I’d then go through those records and pick the melodies, flows or lines that I like. I’d then start cutting the parts I like and sequencing it all in the way I think sounds good. I would then take that reference track and ‘trace’ it by writing the lyrics to the jibberish.
- How did you get your start as a creator in the industry?
I moved to Canada from St Lucia in 2008. I studied Marketing at St Mary’s University in Halifax. School was a means to an end. It was my way of moving legitimately to Canada to pursue my career in music. It was there in Halifax that I really got my start in the industry. I would perform at Open Mic at the pub on my Campus. Through that, I met Quake Matthews, and it was through the nurturing of that relationship, I eventually linked up with Classified. Class helped me take things to another level through touring with him and working on music with him through his imprint, Halflife Records.
- How has your music evolved since you first became a recording/performing artist?
I think I have managed to find my voice. One of my greatest gifts as well as curses has always been my versatility. I think I’ve developed ways of making it all come together. My music is just a diverse and multifaceted as it was before, but there is more balance and cohesion.