Victoria Banks

Victoria Banks - social Media

Victoria Banks has been nominated for 11 Canadian Country Music Association (CCMA) Awards and was named CCMA Female Artist of the Year and Songwriter of the Year in 2010. She has been labeled “one of the best songwriters in the business” by Nashville’s MusicRow magazine.

In addition to releasing three albums and touring with artists from Reba to Wynonna, Banks – who hails from Muskoka, Ontario – has written ASCAP, SOCAN, CCMA and Covenant-award-winning songs for more than 50 artists.

Her cuts include Jessica Simpson’s Billboard record- breaking single “Come On Over,” Sara Evans’ solo-written hit “Saints & Angels” and duet “Can’t Stop Loving You” (featuring Isaac Slade of The Fray), Lauren Alaina’s “Queen of Hearts,” Johnny Reid’s CCMA Song of the Year “Dance With Me”, Doc Walker’s chart-topping “I’m Gonna Make You Love Me”, One More Girl’s BCCMA Song of the Year “When it Ain’t Raining”, and many more. In 2016, Banks performed with the Nashville Ballet as part of their Attitude program, for which several of her songs were choreographed including the program’s title song, “City of Dreams.”

“This is an artist you absolutely need to pay attention to. Recommended without reservation.” – Robert Oermann, MusicRow
“A powerful singer…a very impressive songwriter…definitely a name to look out for.” – Maverick Magazine (UK)

 

  • How did you get your start as a creator in the industry?

I’ve been a staff songwriter based in Nashville for over twenty years now. I moved south in 1997 after finishing a degree in Zoology at University of Toronto, and after performing at a ton of writers nights around town, was connected with my ASCAP rep, Ralph Murphy. Ralph set me up with some publisher meetings, and from those I was offered my first deal writing for Rick Hall at Fame Music’s Nashville office (affiliated with Fame Studios in Muscle Shoals). Since then I’ve signed with several other companies and have always maintained a writing deal over the years, even when I was touring heavily to support my Canadian record deals.

  • How did you learn your craft – was it a “formal” or “informal” music education?

I studied classical voice and piano until I graduated high school, but pursued science in university. As a teenager I picked up a guitar and taught myself how to play and write contemporary music, but I never had any formal training in songwriting. I just read books on the subject, listened to a zillion songs, and tried to figure out how the writers crafted them to affect the listener the way they do.

  • Have you faced any major economic, social or political hurdles as a music creator?

I feel a bit like a survivor who is holding on somehow despite the odds. When I signed my first deal in 1998, royalty streams were alive and well. I have seen the decline of record sales and the rise of streaming basically obliterate all other income streams except radio play for commercial songwriters. There are now only 400 people doing what I do professionally in Nashville when there were 4000 twenty years ago. I’ve also had to deal with the lack of radio play for female artists in the country genre. Even though I naturally gravitate toward writing from a female perspective, I have had to learn to focus primarily on writing with and for male artists in order to stay marketable.

 

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.

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KARLI

KARLI INTRO

It’s with her magnetic voice that singer, songwriter KARLI captures the attention of everyone around her. The 24 year old Hamiltonian who grew up surrounded by many musical influences, began to show an interest in writing and performing very early on. “Writing songs for me, is like my personal form of therapy” she explains. In the fall of 2017, KARLI released her very first feature with DJ Miss Shelton titled “When the Lights go Out” which made it straight to Canadian radio and onto Stingray Music. Close behind was her duet with TOITO, produced by East Coast’s Famba, “Space” generating over 2M streams collectively. KARLI debuted her very first single, “Needy” in August of 2018, followed by “Enough” with Los Angeles producer Oscar Olivo in May of this year. She has since been writing and collaborating with a number of artists and producers including Montreal’s Midsplit in their latest release “I Do”. KARLI has been working on the development of her E.P. and looks forward to release her next single in the fall of 2019.

  • Do you have a process to songwriting or when creating music?

Not really. And I don’t think there is a right or wrong way to the songwriting process. Sometimes you can start with a hook or lyrics or maybe just an idea, but then it goes from there. I think it has a lot to do with feeling and what feels right. What show off your emotions the best. I just love songwriting and i’ve been writing since i was 16 but it was hard to get my music out there.

One new approach to the songwriting process that i took recently was going to SAC’s songwriter workshops. It was a huge challenge for me because i was in a room with people that i didn’t know and i had to co-write with them. Although, being put out of my comfort zone co-writing witth these amazing songwriters and professionals really
helped me find out my true capabilities and being surrounded by these professionals who you can bounce ideas off of and who really understand you, where you're coming from and the process was very valuable. It was the best experience i’ve ever had and I would recommend it to any songwriter.

  • How has your music evolved since you first became a recording/performing artists?

My music has definitely evolved a lot since i started. I come from a very musical family as my dads in a rock band and my mom is a singer. So, growing up, i used to be very poppy and a lot more girly. As i mentioned, i was like 16 and writing songs about boys, you know? Even my first single was pretty poppy. But now, I really want to use my music as an outlet to say things that can help people by giving them something to relate to.

For example, I wrote my song Vicious Circle about a close friend of mine who was in an abusive relationship. Abuse of any kind is not okay and that’s what that song talks about.
Songs like that touch a lot of people and it doesn’t have to be that exact situation they are experience but there is a connection mentally and physically and I want to bring that to the forefront of my music.

Also, i wanna try to explore more genres moving forward. I’m definitely opening up to co-writing with different artist who bring a different vibe and contribute to the song in that case.

  • Do you have any advice for upcoming songwriters and creators who are looking to break further into the creative scene?

Definitely make connections. social media is such a huge part of our lives now and huge amongst the music world so defiantly using that to your advantage. Reach out to those people that you admire or are interested in because even though you may think they will never reach back, they usually do and the result is amazing. I worked with a producer from LA for my last single, someone i never physically met btw, and that lead to me having a billboard on times square.

You never really know what can happen and its important to take a chance.
I mean also yes, have your guard up to a point but theres a lot of people out there that are great and are on the same page as you and if you can find those people – the reward is magical. Try to self-manage yourself too if you can. When i started taking things into my own hands, it was the best thing for my career.

AND JOIN SAC! Seriously! I’m a huge advocate of what you guys do. I think Greg Johnston is absolutely great and the team that’s been put together and the vision behind the organisation means a lot – especially as a songwriter. I would recommend it to any up and coming songwriter to join SAC and truly take advantage of all the services and
events you put on.

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.

Odreii

Odreii

Born and raised in Montreal, French Canadian/Jamaican singer-songwriter, Odreii grew up in a very musical environment. With a father being the lead singer of a roots and reggae band, an aunt and uncle who played in a French Heavy metal band, and a mother who played the best of Stevie Wonder, Tracy Chapman, and Bob Marley day in day out throughout her childhood, Odreii got all the inspiration she needed to create her own world. Odreii grew up speaking French, English and Spanish, but quickly developed a passion for learning languages like Russian, Chinese, Italian and German. In 2015 she won 5th place at the Eason Live singing contest for singing in Chinese (Mandarin), a song from one of China’s greatest artist Eason Chan. 

While living in the UK with her father, Odreii taught herself to play guitar so she could perform her original compositions in pubs around London. The first song she recorded was “Keep Smiling”, which yielded her a music scholarship at Tech Music School (BIMM) in 2011 after winning 1st Place at the prestigious The Stage UK vocal competition. 

In 2013, she won 1st Place at the AppleBeam songwriting competition and received a nomination for Best UKSC Pop Written Song with “Wondering”. 

In 2014, Odreii won 1st Place at the EDA UKSC songwriting competition and, the following year, wrote “Tell Me You Love Me” under Elle Ray which reached #1 on Soundcloud’s Hot and New chart, played on 95.7 Hits FM, was selected for Victoria Secret’s Spotify playlists, and played on MTV in the USA. 

In 2016, while working on new music, Odreii supported Naadei around Canada as a backup vocalist and guitarist. Some of those performances included Osheaga Presents, MURAL Festival, House of Paint festival in Ottawa, and Festival des Mongolfieres, where they both opened for Wyclef Jean. 

In 2017, her acoustic song “Always Been You” received a nomination for New PLAY VRAK Discovery and was aired live on TVA during a MATV series. The saga continued in 2018, where she performed at SXSW with Naadei. 

She released her first acoustic single entitled Gold for Water alongside an upbeat version of the song produced by the Montreal production duo Neowide. The song got support from Justin Timberlake’s dancer Codie Wiggins and female dancecrew C4 known as the 2017 Champions for World Hip Hop Dance Adult Division. 

Odreii released her first EP ”Runs In Me Blood” on May 3, 2019 distributed by Higher Reign Music Group / Sony Music Canada. The project, funded by FACTOR and the government of Canada, offers a mixture of Caribbean and urban sounds while introducing us to a well versed singer songwriter. 

Latest Songwriting projects: 

– Criminal by Odreii (HRMG, Sony Music Canada, 2019) 

– 332 Miles by Raayon (Universal Music Canada, 2018) 

– What we started by MBP (TONSPIEL, 2018) 

– SOS by Raphael Di Raddo feat. Spity & Elle Ray (HRMG, Sony Music Canada, 2018) 

– EP Runs In Me Blood by Odreii (HRMG, Sony Music Canada, Tropical Koala, 2019)

 

Q: How did you get your start as a creator in the industry? 

I entered a competition called ‘She’s the One’ with RBC’s Bluesfest in Ottawa and they take 10 female artists around the country and bring them to Ottawa to perform there and I was chosen as the winner. Through that I got a single deal with Cadence Music Group and that’s how I started – it’s how I met most of the people that I know in the industry and I started co-writing. They would take me on these week long sessions and I would write with different people and essentially we released one song, and that song now has 400K hits on Spotify. I’m pretty happy about that 🙂 It was really helpful to work with Bluesfest and Cadence to get me my start, and now I’m pursuing music independently. Been meeting a lot of people, and now I’m starting to do stuff like this Pro Songwriters Camp!

Q: How has your music evolved since you first became a recording/performing artist?

I was pretty silent at the beginning. I was too shy to give my opinions during sessions and I didn’t have a whole lot of confidence. And now, through meeting people and getting kind of an affirmation of what I do I feel a lot more confident in my ideas and I’ve been able to expand my individual songwriting as a whole so I’m putting out an album in the fall. Through that, I’ve played [the album] for my godparents – my godfather was tearing up and was like, ‘oh you’ve grown so much as an artist in the last year’ but I feel like I can write a lot more personally now and not be ashamed of telling my story. I think I can get a lot better though. 

Q: How did you learn your craft? Was it informal/formal music education?

I studied RCM when I was younger, in piano and vocals. I studied mostly classical. Eventually, I met my now manager, who was my vocal teacher at the time, and she pushed me into songwriting. I wasn’t very good at the time, but I started to listen to other peoples’ writing and figuring out how I can fit my own education, my own knowledge of classical music into pop music which is weird to do – to listen to Beethoven music and go, ‘how can I make it Beyonce’. But I guess formally, I’m classically trained, and informally, all of this is quite informal. When in sessions, your with people who may not have had the same education, but you still communicate your ideas in the same way. I learned mostly on the go. 

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.

 

Storry

STORRY

STORRY is a seasoned artist trained in classical music who performs Mozart arias with as much confidence as hip hop, R&B, and gospel. Fierce and multifaceted, she writes and produces all her music. STORRY’s voice quality is second to none, and she uses and enhances her incredible sonorous gifts with prophecies witty, raw, and life-changing.

She preaches from experience. Lots of it. Her songs offer an honest portrait of life as a woman: it’s an image everybody can recognize, even if they don’t want to. Her poetic and musical creativity is unapologetic and fearless. In releasing her first single, STORRY is leaving the shadows and showing us the result of decades of artistic work.

  • What inspires you to create music?

I think music and art in general, is a way to impact the world and culture. And so, I create music to be impactful. To make people feel, to make people think, to make people leave changed. I really do believe that art is not only a reflection of our world but can also push culture forward and change the world.

  • Have you faced any major economic, social, or political hurdle(s) as a music creator?

Economically, I would say, music is an industry where there isn’t a lot of funding behind it. It’s quite expensive. Although these days it has gotten a little bit better, you know, by being able to record at home and such. But to get a real platform for your music to be heard is quite hard when you don’t have a marketing budget, or a team, or a label behind you. So, economically it can be hard for people that don’t have a lot of money.

And on a political/social level, I would say that being a woman, is a difficult part I think of being in any industry, but particularly in the entertainment industry. I’ve often been the only woman in a lot of studio settings, in a room full of men. More often than not, women are not seen as equally valuable… I’m usually mansplained a lot. I kind of have to bite my tongue, because there’s this kind of hierarchy that exists. So, its a very interesting landscape to try and navigate, and my feeling is that we really need to empower women; To be producers, play instruments, and be given equal opportunity to do those things in these environments.

  • Do you see any change in today’s music industry?

I have been seeing a shift – it’s slowly changing, but I think its been more surface-level than I would like. There’s been a lot of hashtags, like the #MeToo movement (which has been very important). But I think that this has allowed people to – especially men in the industry, who are misogynistic, or whatever – to hide under that guise of being ‘feminist’. ‘I follow this movement’ or ‘I stand behind strong women’, but they don’t actually act on those ideals. It’s a pretence – it’s trendy. And then it has a gaslighting effect on women. A lot of talk, and very little integrity or follow-through behind those words. So, I very much appreciate being here writing at the SAC ProSongWorks because it’s been a very balanced and respectful environment to create. 

  • How did you learn your craft – was it ‘formal’ or ‘informal’ music education?

I initially started teaching myself how to sing and write from childhood. I taught myself how to play a bit of piano and guitar as well. I later ended up going to school for a couple years in classical voice and studied opera. It was a very interesting way to utilize my voice in a different way and I really enjoyed that. I didn’t finish university but it was a very fun experience for me. So having both sides of the spectrum – knowing how to jam and also knowing the theory and technique behind it, and knowing how to combine the two worlds.

  • Would you recommend this to other artists – to have a bit more background/education about the music?

I would. I think it’s important to have both. Some things in music cannot be taught theoretically. They’re internal vibrations and emotions. But knowing how to utilize your instrument(s) so you have multiple tools and options in your back pocket just adds to what you can accomplish when you’re in the right vibrations with the right collaborators. Then you can really finesse and polish the work to be exactly what you hear in your head. If, for example, if you’re vocal range is smaller, then often that will change what melodies you might come up with because there are certain limitations or boundaries you must work inside of. Studying or perfecting your craft or instrument can remove a lot of these limitations. 

  • If the music community could do one thing better what would it be?

I’ve been thinking a lot about this actually.. ’cause I think there’s a lot of things that could be better. For one, me being an artist trying to release music on my own, I find it very difficult to navigate all the bits and pieces of the industry. Everything is scattered and there’s no blueprint. It’s like, if I were to open up a restaurant, there are certain things that need to be in place; you need to get certain permits, safety, understand the space’s capacity, there’s a framework.. but there’s no framework for the music industry per se. It’s kind of the wild west, and because of that, there’s no real regulations. With no real regulations, there can be a lot of corruption happening. So I think there needs to be some sort of way to regulate, to allow people to feel safe in these working spaces – to know that there is an entity holding people accountable if something goes wrong.

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.

Skye Sweetnam

Skye - Social Media
Skye has released two full-length solo records to date, “Noise From The Basement” on Capitol Records (2004) and “Sound Soldier” on EMI (2007). Skye’s current musical endeavor is Sumo Cyco, a project mixing her unique pop/punk sensibilities with a metal band. Sumo Cyco released has released two albums, “Lost in Cyco City” (2014) and “Opus Mar”(2017). Skye also appears on over 30 album compilations worldwide, with total sales in the millions.

Some highlights of Skye’s musical career include, opening for Britney Spears on her Onyx Hotel Tour on 50 dates throughout Europe and North America, as well as preforming as the “singing” voice of Barbie in Mattel’s “The Barbie Diaries.” Skye has performed live before over two million people in over 25 countries worldwide as well as being a featured performer on the Jay Leno and Craig Kilborne Shows. Her band Sumo Cyco has recently opened for acts such as, Coal Chamber, Nonpoint, Fozzy, Butcher Babies and Mushroomhead. They have played festivals such as Warped Tour, NXNE, Sound of Music, CMW and in 2013 won Toronto’s Indie Week.

Skye has written and performed songs featured in various films, T.V. shows and video games, such as Laguna Beach, Nickelodeon’s Wayside School, Radio Free Roscoe, Hotel for Dogs, Super Monkey Ball and The Sims Pets.

Skye was signed to a publishing contract at the tender age of fourteen, at the time she was the youngest person to be signed to EMI publishing in Canadian history. Skye is currently a Sony/ATV published songwriter with over 15 years of experience, she has worked with some of the most celebrated hit makers of the decade, such as The Matrix (Lauren Christy, Scott Spock, Graham Edwards) (Avril Lavinge, Hilary Duff, Korn), Greg Kurstin (Adele, Lily Allen) and Max Martin (Backstreet Boys, Britney Spears). Skye also wrote extensively with punk rock legend Tim Armstrong from Rancid and was featured on the hit “Into Action” This was the number one requested song on KROQ in LA in 2007.

Complimenting her musical career, is Skye’s love of nurturing a very active online community. Skye has made a multitude of music videos to promote herself on her YouTube channel, now close to 10 million views and Sumo Cyco’s channel with an extra 3.8 million. To capitalize on this talent, Skye has directed music videos, EPK’s, behind the scenes footage, creative online content and animated videos. Her clients include CMT, country pop stars Leah Daniels, Meredith Shaw, YTV’s The Next Star Winners Charlie and
Brooklyn Roebuck, Slaight Music Artists as well as pop up- and -comers such as Stacey Kay and Jillea.

Skye continues to be creative in all aspects of her multi-faceted career, and constantly evolves as an artist, songwriter and filmmaker.

 

  • Do you have a process to songwriting or when creating music?

I find that I do have my ‘best practises’ but I always try to open myself up to new pathways of creating. Straying from the trusted path can be a great way to get a new perspective and potentially find new ways to produce your best work. When I first started writing music I had a hard time opening up to potential collaborators. As we creators know, writing can be a very personal process. I would always prefer to take home a copy of the music, write the lyrics and melody alone, then regroup once I felt I had the best ideas to put forward. As I grew as I writer, and was thrust into more collaborations and situations. I grew to feel more confident in sharing the first ideas that popped into my head. Sometimes, I give myself challenges. For instance, writing a verse as fast as possible or holding to a specific predetermined lyrical theme. These can be exciting ways to prove to myself that even within “the box” some of the best work can be produced because I’m focused rather than floating around with too many limitless options.

  • How has your music evolved since you first became a recording/performing artists?

I started writing at a very young age. I remember making a 3-piece girl group at age 9 and performing our songs “Friends Forever”, and “I Love the Beach” to my entire class at school. My infatuation with boy bands and groups like the Spice Girls faded into a need to rebel. I started working with a young songwriter/producer named James Robertson who was a very talented guitar player who opened me up to all guitar based music when I was 13. I began to write angsty lyrics about skipping school, parents expectations and how immature boys were, all backed by pop-punk guitar riffs. It was a few years later when I reached 20 that I told myself I had to loose the “teen” sound and find a musical style that I could grow into as an adult. I fell in love with a Dancehall Metal band based in UK named Skindred. It was aggressive, yet fun and I loved the fact that I wanted to head-bang and dance at the same time. I told my friend/guitarist Matt Drake that I wanted to start a band with a similar feel. My current project Sumo Cyco was born. Cool thing is, Benji the lead singer of Skindred is featured on our song “Move Mountains” from our last album. Dreams come true and full circle at that!

  • Do you have any advice for upcoming songwriters and creators who are looking to break further into the creative scene?

I’ve had experience as a priority artist at Capitol Records in Hollywood and I’ve been working as an independent artist for the last 10 years. I’ve seen both sides of the coin as far as what it’s like with lots of funding to zero funding. A few things come to mind that apply to both. Always be the captain of your ship. In this industry there’s some sort of perception that someone or some company will “discover” you and all the pieces of the puzzle will fall into place. This is not true. Even if you find a great team member or members that believe in the project, it does not mean that the work is done; in fact it’s just the beginning. No one will have your best interests as heart more than you will for yourself. So be your best advocate, toot your own horn, put yourself in the situations that can breed success. You have to know where you want your ship to sail or else the current may take it it in an entirely different direction.

 

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.

ISIS SALAM

ISIS_Salam_SM

ISIS SALAM is an ever so versatile chameleon. Not only an emcee , dj , vocalist , and a self- proclaimed dance floor diva;  she is also now being recognized by her peers as a producer in her own right.

Bringing boundless amounts of energy on stage and already boasting  a formidable list of artist collaborations including legends such as Tyree Cooper (Godfather of hip-house) , Junky XL (Producer behind Batman Vs Superman, Mad Max Fury Road scores) as well as some of the hottest features with Pharell (N.E.R.D) , Sub-ann and LeftWing & Kody.

ISIS SALAM has come a long way since her budding days as the other half of Canadian electro duo THUNDERHEIST. After taking home the prize for best video at 2009’s SXSW festival with their critically acclaimed debut single “Jerk it” , ISIS SALAM went on to grace the curveted live stage on the hit Jimmy Kimmel show with hip hops porto rican prince himself NORE (aka NOREAGA). Proving to the world she was a force to be reckoned with. ISIS SALAM began exploring her solo career and after hearing nothing but praise from her friend feminist icon PEACHES; ISIS SALAM  went on her own pilgrimage to the artist mecca Berlin and like her predecessors she fell immediately in love.

After her soft more release “Let Go”  with deep house label Exploited Records ( also home to Claptone) ISIS SALAM continued exciting the crowds at some of Europe’s top music festivals (MELT festival , SONAR , ADE, BREAD& BUTTER ). As she Continues to share her passion she continues to find her way into the heart of the Berlin underground.

ISIS SALAM’s voice harkens back to the days of smokey jazz rooms and late night disco’s ; raspy, deep and powerful. Her wordplay is often underpinned by understated honesty. ISIS SALAM’s live set is a pure on-stage evolution: opening with deep-breathing, bass- heavy house; it morphs into sexified nu-disco before growing into a full-blown dance party.Pulling from Afro-house, Deep disco cuts and soulful to Gutterhouse. Whether its a DJ set or live performance; ISIS SALAM is always tirelessly working to create the perfect environment for lovers of the classics and dreamers of an analog future, providing you with everything you could ask for and just that little bit more.

With recent releases already heating up the charts and sitting pretty in Germany’s top 10 club tracks, ISIS SALAM seems to have only just begun.

 

  • What inspires you to create music?

It depends on what I’m making . Sometimes i write stuff just to amuse myself , sometimes i’m seeking a more cathartic experience and other times my aim might be to convince everyone on the dance floor to get naked and touch some body ….. with consent of course.

  • Do you have a process to songwriting or when creating music?

My ideal environment is a small well treated studio and and endless supply of four trade ethically traded coffee . From there i usually start with the melody and bass line if I’m composing something for myself . When i have a sense of the “vibe” I’m going for by i’ll build a really simple drum pattern which informs the style and vocal approach i might take . I come from the old freestyle rapper school , so when it comes to writing lyrics i tend to start free styling around the “vibe” which then forms the topic act …. as i explain it , it seems like i have a plan but when I’m actually working i look probably more like a ferrel animal at my desk .

  • How did you get your start as a creator in the industry?

I started by attending open mics. I later started invited myself into freestyle circles and sneaking into clubs ( i don’t condone sneaking into places … i just did .. so yeah) From there i was able to network with people . My main approach wasn’t really thought out , i was just really “hungry” and its that drive that not only gets you into the industry but also KEEPs you in , give or take a mental break down or two.

  • How has your music evolved since you first became a recording/performing artists?

The main evolution i think would be mainly me. As I’ve gotten older i’ve learned new skills and coincidentally expanded my repertoire. I started as a poet or a writer now i like to think i’m a little woman army or at the very least an ideal team member during the inevitable Z- apocalypse.

  • Do you write for other recording/performing artists? 

Lets just say depending on the artist i would consider it .

  • Do you tend to write for one genre, or do you find your music crosses genre lines?

One of the percs of my ADHD is a natural leaning to diversity and randomness. I love music, all type of music. I low key make a punk record because i could. Music is the universal communicator i see genre’s and just different languages.

  • Have you faced any major economic, social, or political hurdles as a music creator?

Im a black , queer nigerian woman . So without being too redundant, racism , classism , sexism and micro aggressions be out here ya’ll. Stay woke.

  • Do you have any musical influences who have influenced your style, or who give you a “nod” to whenever possible?

This question i always feel is like the “whats your fav colour question”. As you get older it changes, no? Right now Nina Simone, and whatever is currently bumping on my spotify playlist.

  • If you could collaborate with any other music creator, who would that be?

Do we have the ability to reanimate people ? if so — Prince , Marvin Gaye, Nina Simone and alive …. I’m currently obsessed and willing to meet whenever they are available – Grace Jones and Quincy Jones….

  • How did you learn your craft – was it “formal” or “informal” music education?

I was always a weird kid so the arts is usually where we end up if we’re lucky enough to be talented. It began with informal and later formal. As for my production I’ve shadowed people and approached it more like an apprenticeship. I like to think you never stop with your education so I’m still learning.

  • Do you have any advice for upcoming songwriters and creators who are looking to break further into the creative scene?

If your aim is to be famous cool… There’s an app for that . The industry is constantly evolving as I’m not a doctor i don’t feel good giving industry advice, but for creatives. Appreciate your craft, have patience for yourself, savour those “ i’m my own boss” moments , travel and live somewhere else where you have to learn the language (if possible), taxes….. and organize your folders .. like with labels and stuff. Focus on WHY you do IT , if it becomes just for the money , get a real job … they usually cover dental.

  • What is your fondest musical memory or favourite piece of music you’ve written?

Playing with Madlib and hugging Ghostface for an inappropriately long time.

  • What is the most important “tool” you need when creating, (eg. Garageband, google docs, your cell phone, Pro Tools, or a pad of paper)? 

Laptop, DAW, lots of RAM + WAVES plugins.

  • If the music community could do one thing better what would it be?

Involve more women of colour on all levels and diversify the hip hop community.

  •  What do you see in the future for songwriting and music creators like yourself?

10 yrs and we will be replaced by AI .. but before artist platforms will include a 1 stop shop approach i.e. Distro/Website/Social Media/Streaming. Monthly ownership vs individual track/album sales. Live concerts will continue to be the bread and butter.

 

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.

Ari Rhodes

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Ari Rhodes is a Juno-nominated songwriter, composer, and producer based in Toronto, Canada. Originally from Rhodes, Greece, Ari began his career at the age of 14 as a house music DJ before moving to Canada to study audio production. Between his love for old analogue gear, obsessive editing skills, and, passion for collaborating with new and inspiring artists, Ari most likely will never grow up and get a real job.

  • What is the most important “tool” you need when creating, eg. (Garageband, google docs, your cell phone, Pro Tools, or a pad of paper? 

Tool as in Tool, Tool? Hah, well, great equipment and toys do make a difference. I love vintage analog synths, effects, tube microphones, and instruments. They make music more tactile and engaging. And, I just really love the sound. Of course, a laptop, a stable DAW, and a soundcard are necessary to do the work–but all of these tools really mean nothing if your mind isn’t clear. So, I would say that my peace of mind and some good food are my most important tools for creating. You can be in a multi-million-dollar studio and still make something that sounds, well, mediocre if you are not in the right headspace.

  • What inspires you to create music?

I walk a lot in Toronto, so places and movement inspires me. I record hundreds of voice memos of ideas and sounds while I walk. Life inspires me. I grew up in a small tourist resort in Rhodes, Greece, which was one of the most popular tourist destinations for young British partiers in the 90s. The music and the clubs were unbelievable at that time. There was so much energy and it was really exciting and inspiring to 13-year-old me, sitting on a subwoofer, learning how to DJ. When I moved to Canada a few years later, I met many people and heard so many new styles of music. In that way, learning new things and hearing new sounds always inspires me to push myself creatively and to refine my craft. Most importantly, though, people inspire me.

  • Do you have any advice for upcoming songwriters and creators who are looking to break further into the creative scene? 

The most important advice I’ve received is to work hard, do your thing well, and to not be afraid to do it all the way. People often want to jump on trends, and can be successful doing this for a while, but there is something differently fulfilling about making something unique, something new. It is hard. But, you have to allow yourself to be vulnerable, to let your imagination go, and to even encourage a little play in your practice. I guess, always look forward, work hard, and join SAC!

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

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