Skye Sweetnam

Skye - Social Media
Skye has released two full-length solo records to date, “Noise From The Basement” on Capitol Records (2004) and “Sound Soldier” on EMI (2007). Skye’s current musical endeavor is Sumo Cyco, a project mixing her unique pop/punk sensibilities with a metal band. Sumo Cyco released has released two albums, “Lost in Cyco City” (2014) and “Opus Mar”(2017). Skye also appears on over 30 album compilations worldwide, with total sales in the millions.

Some highlights of Skye’s musical career include, opening for Britney Spears on her Onyx Hotel Tour on 50 dates throughout Europe and North America, as well as preforming as the “singing” voice of Barbie in Mattel’s “The Barbie Diaries.” Skye has performed live before over two million people in over 25 countries worldwide as well as being a featured performer on the Jay Leno and Craig Kilborne Shows. Her band Sumo Cyco has recently opened for acts such as, Coal Chamber, Nonpoint, Fozzy, Butcher Babies and Mushroomhead. They have played festivals such as Warped Tour, NXNE, Sound of Music, CMW and in 2013 won Toronto’s Indie Week.

Skye has written and performed songs featured in various films, T.V. shows and video games, such as Laguna Beach, Nickelodeon’s Wayside School, Radio Free Roscoe, Hotel for Dogs, Super Monkey Ball and The Sims Pets.

Skye was signed to a publishing contract at the tender age of fourteen, at the time she was the youngest person to be signed to EMI publishing in Canadian history. Skye is currently a Sony/ATV published songwriter with over 15 years of experience, she has worked with some of the most celebrated hit makers of the decade, such as The Matrix (Lauren Christy, Scott Spock, Graham Edwards) (Avril Lavinge, Hilary Duff, Korn), Greg Kurstin (Adele, Lily Allen) and Max Martin (Backstreet Boys, Britney Spears). Skye also wrote extensively with punk rock legend Tim Armstrong from Rancid and was featured on the hit “Into Action” This was the number one requested song on KROQ in LA in 2007.

Complimenting her musical career, is Skye’s love of nurturing a very active online community. Skye has made a multitude of music videos to promote herself on her YouTube channel, now close to 10 million views and Sumo Cyco’s channel with an extra 3.8 million. To capitalize on this talent, Skye has directed music videos, EPK’s, behind the scenes footage, creative online content and animated videos. Her clients include CMT, country pop stars Leah Daniels, Meredith Shaw, YTV’s The Next Star Winners Charlie and
Brooklyn Roebuck, Slaight Music Artists as well as pop up- and -comers such as Stacey Kay and Jillea.

Skye continues to be creative in all aspects of her multi-faceted career, and constantly evolves as an artist, songwriter and filmmaker.

 

  • Do you have a process to songwriting or when creating music?

I find that I do have my ‘best practises’ but I always try to open myself up to new pathways of creating. Straying from the trusted path can be a great way to get a new perspective and potentially find new ways to produce your best work. When I first started writing music I had a hard time opening up to potential collaborators. As we creators know, writing can be a very personal process. I would always prefer to take home a copy of the music, write the lyrics and melody alone, then regroup once I felt I had the best ideas to put forward. As I grew as I writer, and was thrust into more collaborations and situations. I grew to feel more confident in sharing the first ideas that popped into my head. Sometimes, I give myself challenges. For instance, writing a verse as fast as possible or holding to a specific predetermined lyrical theme. These can be exciting ways to prove to myself that even within “the box” some of the best work can be produced because I’m focused rather than floating around with too many limitless options.

  • How has your music evolved since you first became a recording/performing artists?

I started writing at a very young age. I remember making a 3-piece girl group at age 9 and performing our songs “Friends Forever”, and “I Love the Beach” to my entire class at school. My infatuation with boy bands and groups like the Spice Girls faded into a need to rebel. I started working with a young songwriter/producer named James Robertson who was a very talented guitar player who opened me up to all guitar based music when I was 13. I began to write angsty lyrics about skipping school, parents expectations and how immature boys were, all backed by pop-punk guitar riffs. It was a few years later when I reached 20 that I told myself I had to loose the “teen” sound and find a musical style that I could grow into as an adult. I fell in love with a Dancehall Metal band based in UK named Skindred. It was aggressive, yet fun and I loved the fact that I wanted to head-bang and dance at the same time. I told my friend/guitarist Matt Drake that I wanted to start a band with a similar feel. My current project Sumo Cyco was born. Cool thing is, Benji the lead singer of Skindred is featured on our song “Move Mountains” from our last album. Dreams come true and full circle at that!

  • Do you have any advice for upcoming songwriters and creators who are looking to break further into the creative scene?

I’ve had experience as a priority artist at Capitol Records in Hollywood and I’ve been working as an independent artist for the last 10 years. I’ve seen both sides of the coin as far as what it’s like with lots of funding to zero funding. A few things come to mind that apply to both. Always be the captain of your ship. In this industry there’s some sort of perception that someone or some company will “discover” you and all the pieces of the puzzle will fall into place. This is not true. Even if you find a great team member or members that believe in the project, it does not mean that the work is done; in fact it’s just the beginning. No one will have your best interests as heart more than you will for yourself. So be your best advocate, toot your own horn, put yourself in the situations that can breed success. You have to know where you want your ship to sail or else the current may take it it in an entirely different direction.

 

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.

ISIS SALAM

ISIS_Salam_SM

ISIS SALAM is an ever so versatile chameleon. Not only an emcee , dj , vocalist , and a self- proclaimed dance floor diva;  she is also now being recognized by her peers as a producer in her own right.

Bringing boundless amounts of energy on stage and already boasting  a formidable list of artist collaborations including legends such as Tyree Cooper (Godfather of hip-house) , Junky XL (Producer behind Batman Vs Superman, Mad Max Fury Road scores) as well as some of the hottest features with Pharell (N.E.R.D) , Sub-ann and LeftWing & Kody.

ISIS SALAM has come a long way since her budding days as the other half of Canadian electro duo THUNDERHEIST. After taking home the prize for best video at 2009’s SXSW festival with their critically acclaimed debut single “Jerk it” , ISIS SALAM went on to grace the curveted live stage on the hit Jimmy Kimmel show with hip hops porto rican prince himself NORE (aka NOREAGA). Proving to the world she was a force to be reckoned with. ISIS SALAM began exploring her solo career and after hearing nothing but praise from her friend feminist icon PEACHES; ISIS SALAM  went on her own pilgrimage to the artist mecca Berlin and like her predecessors she fell immediately in love.

After her soft more release “Let Go”  with deep house label Exploited Records ( also home to Claptone) ISIS SALAM continued exciting the crowds at some of Europe’s top music festivals (MELT festival , SONAR , ADE, BREAD& BUTTER ). As she Continues to share her passion she continues to find her way into the heart of the Berlin underground.

ISIS SALAM’s voice harkens back to the days of smokey jazz rooms and late night disco’s ; raspy, deep and powerful. Her wordplay is often underpinned by understated honesty. ISIS SALAM’s live set is a pure on-stage evolution: opening with deep-breathing, bass- heavy house; it morphs into sexified nu-disco before growing into a full-blown dance party.Pulling from Afro-house, Deep disco cuts and soulful to Gutterhouse. Whether its a DJ set or live performance; ISIS SALAM is always tirelessly working to create the perfect environment for lovers of the classics and dreamers of an analog future, providing you with everything you could ask for and just that little bit more.

With recent releases already heating up the charts and sitting pretty in Germany’s top 10 club tracks, ISIS SALAM seems to have only just begun.

 

  • What inspires you to create music?

It depends on what I’m making . Sometimes i write stuff just to amuse myself , sometimes i’m seeking a more cathartic experience and other times my aim might be to convince everyone on the dance floor to get naked and touch some body ….. with consent of course.

  • Do you have a process to songwriting or when creating music?

My ideal environment is a small well treated studio and and endless supply of four trade ethically traded coffee . From there i usually start with the melody and bass line if I’m composing something for myself . When i have a sense of the “vibe” I’m going for by i’ll build a really simple drum pattern which informs the style and vocal approach i might take . I come from the old freestyle rapper school , so when it comes to writing lyrics i tend to start free styling around the “vibe” which then forms the topic act …. as i explain it , it seems like i have a plan but when I’m actually working i look probably more like a ferrel animal at my desk .

  • How did you get your start as a creator in the industry?

I started by attending open mics. I later started invited myself into freestyle circles and sneaking into clubs ( i don’t condone sneaking into places … i just did .. so yeah) From there i was able to network with people . My main approach wasn’t really thought out , i was just really “hungry” and its that drive that not only gets you into the industry but also KEEPs you in , give or take a mental break down or two.

  • How has your music evolved since you first became a recording/performing artists?

The main evolution i think would be mainly me. As I’ve gotten older i’ve learned new skills and coincidentally expanded my repertoire. I started as a poet or a writer now i like to think i’m a little woman army or at the very least an ideal team member during the inevitable Z- apocalypse.

  • Do you write for other recording/performing artists? 

Lets just say depending on the artist i would consider it .

  • Do you tend to write for one genre, or do you find your music crosses genre lines?

One of the percs of my ADHD is a natural leaning to diversity and randomness. I love music, all type of music. I low key make a punk record because i could. Music is the universal communicator i see genre’s and just different languages.

  • Have you faced any major economic, social, or political hurdles as a music creator?

Im a black , queer nigerian woman . So without being too redundant, racism , classism , sexism and micro aggressions be out here ya’ll. Stay woke.

  • Do you have any musical influences who have influenced your style, or who give you a “nod” to whenever possible?

This question i always feel is like the “whats your fav colour question”. As you get older it changes, no? Right now Nina Simone, and whatever is currently bumping on my spotify playlist.

  • If you could collaborate with any other music creator, who would that be?

Do we have the ability to reanimate people ? if so — Prince , Marvin Gaye, Nina Simone and alive …. I’m currently obsessed and willing to meet whenever they are available – Grace Jones and Quincy Jones….

  • How did you learn your craft – was it “formal” or “informal” music education?

I was always a weird kid so the arts is usually where we end up if we’re lucky enough to be talented. It began with informal and later formal. As for my production I’ve shadowed people and approached it more like an apprenticeship. I like to think you never stop with your education so I’m still learning.

  • Do you have any advice for upcoming songwriters and creators who are looking to break further into the creative scene?

If your aim is to be famous cool… There’s an app for that . The industry is constantly evolving as I’m not a doctor i don’t feel good giving industry advice, but for creatives. Appreciate your craft, have patience for yourself, savour those “ i’m my own boss” moments , travel and live somewhere else where you have to learn the language (if possible), taxes….. and organize your folders .. like with labels and stuff. Focus on WHY you do IT , if it becomes just for the money , get a real job … they usually cover dental.

  • What is your fondest musical memory or favourite piece of music you’ve written?

Playing with Madlib and hugging Ghostface for an inappropriately long time.

  • What is the most important “tool” you need when creating, (eg. Garageband, google docs, your cell phone, Pro Tools, or a pad of paper)? 

Laptop, DAW, lots of RAM + WAVES plugins.

  • If the music community could do one thing better what would it be?

Involve more women of colour on all levels and diversify the hip hop community.

  •  What do you see in the future for songwriting and music creators like yourself?

10 yrs and we will be replaced by AI .. but before artist platforms will include a 1 stop shop approach i.e. Distro/Website/Social Media/Streaming. Monthly ownership vs individual track/album sales. Live concerts will continue to be the bread and butter.

 

#ThePROSofSAC #CreatorsCount #MusicCreatorsUnite

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.