Pro Member Interview – Matty Galaxy

Matty Galaxy - SM

Rhythm is the thread that has woven the path for DJ and Producer, Matthieu Bohemier a.k.a Matty Galaxy. What started as a fascination with rhythm as a child has grown into a rising career, having already shared stages with international DJs, such as Grand Theft, Ryan Hemsworth, Zedds Dead and more. Matty is part of the next generation of up coming producers and is currently in L.A working alongside producer “Bongo” By The Way. Below is his interview with S.A.C.:

 

  • What inspires you to create music?

Anything and Everything. I could be sitting anywhere, mid conversation and hear a song in the distance that has a awesome sounding section I would love to sample. It could be a rhythm of a bird chirp, a cup of coffee or even something visual like art or a movie. I make a point to always have my ears open ALWAYS and let the inspiration flow to me. The sense of freedom while creating is also something that will always inspire me to create more music.

  • Do you have any musical influences who have influenced your style, or who you give a “nod” to whenever possible?

Danja is hands down my favourite producer. I spent a lot of time in Highschool studying his instrumentals while walking the halls. When the time came for me to decide what I wanted to spend my life doing, his music made it easy for me to decide that production is for me. I soak in a lot of different styles in my beats, I always try to pull from different genres and not be stagnant. I definitely learned a lot from listening to Danja and given the chance I would have to thank him for inspiring me to chase my dream and to be fearless while creating.

  • If you could collaborate with any other music creator, who would that be?

Okay.. There is a ton but to narrow it down I would love to work with other producers such as Danjahandz, Max Martin or Cirkut. These guys are sooo creative and keep me inspired.

  • Do you have any advice for upcoming songwriters and creators who are looking to break further into the creative scene?

One thing I have learned is that, face to face songwriting sessions are soooo Important! Of course the internet is huge and you can send music back and forth with someone. There is something so different about the energy exchange when your in the same room with someone, you learn so much about each other and get to play off each others energies. I would also say to go to one of the bigger Cities. Risk it all.. go to a place like Los Angeles and stay there as long as you can. I’ve found the universe knows when you are making sacrifice and will reward you. I spent a whole summer DJ’ing weddings and working at a pizza shop full time to save up to move to LA for 4 months. I sacrificed all my time to put myself in the best position possible and it paid off. I met my mentor Bongo By The Way the FIRST month I was there and I recently had my first professional music placement with him. Take the Risk, Always..

#MusicCreatorsUnite #CreatorsCount #StayCreative 

Pro Member Interview – Thrillah Kane

Thrillah Kane - SM
Dartmouth born emcee Thrillah is easily the most buzzed about artist in Halifax’s thriving hip-hop scene. One of Thrillah’s best qualities is his ability to think and rap sensually. His luscious flow combined with beat pauses that highlight his tongue-twisted lyrical pace. Thanks to versatile and energetic artists like Thrillah, Halifax is seeing a new wave of rap culture. Here is our interview with this up and coming hip-hop artist:

 

  • What inspires you to create music?

The right environment with good vibes good people and the ear candy instrumentals also things that go on in my life could really inspire the creative side of a record.

  • Do you have a process to your songwriting or when creating music?

I would normally go through several beats, choose one to vibe with and record multiple voice memos with different styles, flows and stories over the beat until the proper one stands out to me.

  • How has your music evolved since you first became a recording/performing artist?

I’m most comfortable with the hip-hop/rap side of things. I always do enjoy writing R&B and I’m never afraid to step out of my comfort zone and try working with different genres of music. The music has gotten stronger, better quality and the stage presents also has strengthened. I’m much more comfortable in front of a crowed. Before it was more on and then off the stage type of deal, now once I get started I don’t want to leave, I love to interact with the fans and just make sure everybody is satisfied before the shows done.

Thank you for joining our Association! #CreatorsCount #MusicCreatorsUnite 

Spotify: Ep. 1. From Quebec with Love.

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S.A.C is happy to announce the launch of their much-anticipated Spotify account. We will be creating new playlists regularly consisting of songs by our members. For Episode 1 of our playlist we’re excited to showcase some of our best and brightest members from Quebec. We can’t wait for you to hear if you haven’t already! Don’t forget to check back regularly and hit that follow button on Spotify to keep up-to-date with everything.

To hear the Spotify playlist, click here.

 

Here are the songs and songwriters featured on this week’s

Kingdom Street – Slowly Dancing (French Version)

Performed by: Kingdom Street

Written by: Pamela Lajoie, Patrick Donovan

Produced by: Patrick Donovan, Simon Dancause

Source: Higher Reign Music Group

 

Kingdom Street – Do What You Want

Performed by: Kingdom Street

Written by: Pamela Lajoie, Patrick Donovan

Produced by: –

Source: Higher Reign Music Group

 

Yann Brassard – Amanda

Performed by: Yann Brassard

Written by: Alex McMahon, Alex Nevsky, Jonathan Harnois, Yann Brassard

Produced by: Alex Nevsky

Source: Musicor

 

Yann Brassard – Dirty Like the Devil

Performed by: Yann Brassard

Written by: Guillaume Tondreau, Maude Carrier, Pierre-Olivier Courture, Vincent Carrier, Yann Brassard

Produced by: –

Source: Yann Brassard

 

Chloe Doyon – The One

Performed by: Chloe Doyon

Written by: –

Produced by: –

Source: Independent

 

San James – One Hundred Faces

Performed by: San James

Written by: Marilyse Senecal

Produced by: –

Source: San James Records

 

San James – Henry

Performed by: San James

Written by: Marilyse Senecal

Produced by: –

Source: San James Records

 

Leila Lanova – Talent

Performed by: Leila Lanova

Written by: El Speaker, Leila Lanova, Ruffsound, Seysey

Produced by: –

Source: Urban

 

Leila Lanova, Fababy – Mon Lit

Performed by: Fababy, Leila Lanova

Written by: Benny Adam, Fababy, Leila Lanova,

Produced by: –

Source: Urban

 

Melanie Guay – L’aventure

Performed by: Melanie Guay

Written by: David Nathan, Fred Baron, Martin Bachand, Melanie Guay

Produced by: –

Source: Les Productions Melanie Guay

 

Alexe – Comme si

Performed by: Alexe

Written by: Fred St-Gelais, Belson Minville

Produced by: –

Source: Musicor

 

Alexe – Mirage

Performed by: Alexe

Written by: Alexe Gaudreault, John Nathaniel, Mariane Cossette-Bacon

Produced by: –

Source: Musicor

 

Karine Labelle – Ailleurs

Performed by: Karine Labelle

Written by: –

Produced by: –

Source: Musicor

 

Karine Labelle – J’lache pas

Performed by: Karine Labelle

Written by: –

Produced by: –

Source: Musicor

 

NOT DILLON  – Back to the Start (feat. Laura Page)

Performed by: Laura Page, NOT DILLON

Written by: Bobby John, Dillon Shamoun, Laurence Page

Produced by: Dillon Shamoun

Source: Higher Reign Music Group
Source: Spotify Ep. 1. From Quebec with Love Playlist 

Songwriters Association of Canada posts songwriter related news and events as a resource to members. Publishing these posts does not imply that the S.A.C. endorses the teacher, product, service, or company.

Pro Member Interview – Wolf Castle

Wolf Castle - SM

21 year old Wolf Castle is a two-time ECMA Nominated Mi’kmaq Rapper, Singer, Producer and Songwriter from Pabineau First Nation in New Brunswick.

Fresh out of University with a degree in Theatre – Wolf Castle is a natural showman and emcee making waves in the rap world with his unique style of music. Seamlessly blending traditional hip-hop with modern pop swagger. His vision and creative mind doesn’t follow the ordinary and delivers a message and perspective that is honest and original. Always writing music and striving to evolve, he tackles a wide range of musical styles from fun pop-party tracks to dark and brutally honest stories.

Growing up, Wolf Castle was surrounded by a family of artists and creators, his mother and uncle were both Rappers performing under the names “M03” and “Red Suga”. Inspired by the self-made artists in his family, Castle followed in their footsteps and continue the family business of music and artistry. At the age of 17 he decided to start taking music seriously and self-released his first commercial album “TG17” under the name Tristan Grant which was nominated for the “Aboriginal Artist of the Year” award at the East Coast Music Awards. Since then he’s been working under the name Wolf Castle and has released two more albums, 2016’s “Exit Cranium” and 2017’s “The Artificial to Original”.

Wolf Castle’s music can be found on iTunes, Spotify, TIDAL and Soundcloud. Read Wolf Castle’s interview with the S.A.C. below:

  • How did you learn your craft? 

Basically the most informal training you can imagine, zero informal training. The most I ever got was that I took 1 or 2 music classes in high school. It was important, I learned my major and minor skills on piano but that was about it. Other then that, when I started making music I didn’t know how to do anything, I didn’t know how to structure a song, I didn’t know how to play any instruments, I didn’t know how to record myself or write anything. I basically just did it so much that I learned, just from doing it. I got addicted to song writing through the process of just becoming obsessed with it and not willing to be a perfectionist at all. 

  • Do you have a process to songwriting?

My songwriting, instrumentation, and composing method is extremely sporadic and insane and definitely doesn’t have a lot of planning before hand. It’s more of a “figure it out as I go kind of thing”. So basically, most of the time I start writing a song I don’t even know what it’s about yet, I just figure it out. I guess you could compare it to free styling. I’ll listen to music that I really like, that inspires me, and I’ll get a vibe from that and words will just start coming to me. I’ll start free styling over it and sometimes it works and I’ll get a bunch of lines out of it and when I read it over again I’m like “Oh, this could be something”. And then I develop a song from that point. I don’t necessarily sit down and say “Okay, I’m going to write a song about love and the key is going to be “A” and it’s going be this tempo.”  I mostly just write lyrics and create something out of whatever shows up. I write songs sporadically and very quickly. I can’t stop, it’s like an obsession. I write a lot on my phone too, so if I’m waiting somewhere, or if I’m driving I’ll park (and write), basically anytime lyrics pop in my head. Thank god I have a phone with a notepad I can write in, I write in the tub, I write in my car, I write everywhere.

My family is also very musical. My Uncle for a long time a rapper, he went by Red Suga. He operated on the East Coast and he showed me how to make music also. We used to get together over the Christmas break at my Grandparents house and we would make a song every night over the Christmas holidays. He taught me how to not be a perfectionist, just got for it, get in the vibe it, and just create. We would come up with a hook, we’d make a beat, we’d write, we’d rap it, mix it, and put it on SoundCloud that night. 

  • If you could collaborate with any other music creator who would that be?

If I could pick anybody on planet earth .. I would totally pick Tyler, The Creator for sure. He’s definitely someone who has influenced my sound. Him, Odd Future, or Mac Miller, anyone who came up independently or from there own clout really inspired me and showed me “Oh, I should do it too!” right. His sound is so awesome, I just love anything he puts out. He’s definitely one of those creators that influences a lot the way I want to approach music, being a rapper, and putting music out as an art form in terms of presentation, cool pictures, good outfits, and all the artistic direction surrounding the music as well as good music. 

#MusicCreatorsUnite #CreatorsCount #thePROSofSAC 

Pro Member Interview – Aileen de la Cruz

Aileen de la Cruz - SM.png

Aileen de la Cruz is one of Canada’s most prolific songwriters. She has launched one of the most talked about careers as a writer, session vocalist, performer and vocal coach. A classically trained musician who began playing the piano by ear at the tender age of 2. At 10 years old, her dream of singing at Carnegie Hall with the highly touted Amadeus Children’s Choir and the Manhattan Philharmonic Orchestra was fulfilled.

Formerly Signed to Cymba Music Publishing, Vince Degiorgio (Caro Emerald, N-SYNC), Aileen has worked with many Multi- Platinum award winning producers/writers who in turn have worked with the likes of Kelly Rowland, Justin Bieber, Backstreet Boys. Recent collaborations have also seen Aileen working alongside ‘X-Factor’ and ‘The Voice’ winner in the UK, Spain, Portugal and Mexico.

Traveling the world on writing tours, Aileen’s trips have delivered multiple cuts landing worldwide hit songs with artists signed to Sony, Universal, EMI, THE VOICE and X factor Finalists, and Japanese and Korean artists such as Sexy K-pop Group ‘4 Minute’, fronted by megastar Hyuna – who was featured in a version of Psy’s global smash “Gangnam Style”. Recently Aileen is also a Juno nominated songwriter for Canadian “Adult Contemporary Album of the year “ for artist Nuela Charles.

She has also had songs featured on TV Networks BBC, ABC, FOX, HBO, featured on blockbuster movies such as ‘Bad Moms’ and ‘Fantastic Mr. Fox’. Her songs have also appeared on TV shows such as ‘The Voice’ (UK), ‘Dancing with the Stars’ (US), ‘Desperate Housewives’, Keeping with the Kardashians and charted on Japan’s itunes Top 10 along with features on numerous commercials for globally iconic brands like ‘Reebok’ and T-Mobile USA.

In addition to her songwriting career, Aileen’s start in the music industry goes back to her roots as a first call session vocalist, vocal arranger and live performer. She has contributed her voice globally on records with international Hip-Hop superstars such as Snoop Dogg and Young Jeezy who have had their tracks graced by Aileen’s harmonies. Aileen is also a first call musician for Disney Cruise Line and a winner of “Best Musician/Band ” for the prestigious fleet. She also tours as backup vocalist for international recording artist Joey Albert.

Enjoy Aileen’s interview with the S.A.C. below:

  • What inspires you to create music?

The feeling you get when you hear a song finished that came from one single idea – inspired by real life situations or the people around you.

  • Do you have a process to your songwriting or when creating music?

Yes. I usually start with melody ideas or sit in front of the piano and play around with chord progressions. I then proceed to lyric writing once I have a basic melody structure in place.

  • How did you get your start as a creator in the industry?

I was mentored by an up and coming producer named Ron Laxamana in my early teens. I recorded my first originals and Demos with him. I knew after a few sessions in the studio that working in the music industry was going to be my career. A few years later I began doing session work with more established producers and writers and carried on from there.

  • How has your music evolved since you first became a recording/performing artist?

When I was first starting off I really only performed and created Pop/R&B Music. Now I appreciate and write for all genres. It was certainly a learning curve but very important as a writer to explore all kinds of music.

  • Do you write for other recording/performing artists?

Yes. I write for established artists or writers that are passionate about what they do. If they are willing to learn and are motivated and persistent to pursue a serious career in the business than I am willing to work with them.

  • Do you tend to write for one genre, or do you find your music crosses genre lines?

I write all Genres.

  • Have you faced any major economic, social or political hurdles as a music creator?

I’ve been fully working in the music industry for the last 15 years so the challenge of being a self employed musician and writer has its pros and cons. I’ve had to work and wear many hats being a teacher, musician and writer to make ends meet. Also being female has it’s challenges with the way you are treated. But at the end of the day work ethic always speaks for itself and constantly thinking ahead about how you can source new opportunities is key. I think its also important to always think like an entrepreneur. After all, it’s called the music business for a reason.

  • Do you have any musical influences who have influenced your style, or who you give a “nod” to whenever possible?

I’m influenced by all styles of music really. If I can hear emotion in an instrument or a voice, thats what really moves me to emulate that in my music.

  • If you could collaborate with any other music creator, who would that be?

Andrea Bocelli or Beyonce’.

  • How did you learn your craft – was it a “formal” or “informal” music education?

It was both. I began playing the piano by ear and my first song played was Chariots of fire after hearing it on TV. At 5 I began learning classical piano and it continued from there.

  • Do you have any advice for upcoming songwriters and creators who are looking to break further into the creative scene?

Learn to network. But also learn people. The business is all about building relationships. Opportunities don’t also come right away so it’s important to reach out and be involved in the community and in the meantime keep paying your dues and improve your craft.

  • What is your fondest musical memory or favourite piece of music you’ve written?

My fondest memory is performing at Carnegie Hall with the Manhattan Philharmonic. I was only 10 and completely clueless about life. But the energy and sounds on that stage was something else.

  • What is the most important “tool” you need when creating, eg. GarageBand, google docs, your cell phone, Pro Tools, or a pad of paper?

A keyboard, my laptop, apogee and mic and compact audio booth. Virtually a compact studio that I take everywhere or use at home.

  • Do you ever compose for film/tv/video games? What’s that like?

Yes I have. In a lot of cases you just get a brief of what the agent is looking for. Sometimes the descriptions are very vague and you have no idea what they want. Sometimes it’s hit or miss. I try to pay attention to what I hear on TV so that I know what’s currently being placed.

  • How can S.A.C. help you?

The S.A.C has already been very helpful to me and the community. I’ ve been very fortunate to be involved with One on one mentoring, Panels and the Pro Songwriting Camps. I would love to see this continue on all platforms.

  • If the music community could do one thing better what would it be?

Work on improving Gender equality and diversifying who we have on panels and conferences etc.

  • What do you see in the future for songwriting and music creators like yourself? 

I think it’s a matter of educating yourself and keeping in line with technology and the trends. Some people write through FaceTime or Skype now days. You can record your own music at home without having an expensive studio.

#MusicCreatorsUnite #CreatorsCount #thePROSofSAC