Pro Member Interview – Caroline Brooks

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Caroline Brooks is a singer-songwriter, vocalist and guitar player from Toronto and one third of Juno award-winning touring band Good Lovelies. She has performed as a session vocalist with a wide range of artists, including Kathleen Edwards, Peter Katz, Jim Bryson and Lily Frost. Recently, her song “I See Gold” (co-written with Robyn Dell’Unto) was awarded a #1 Song award from SOCAN, for reaching the top spot on CBC Music’s Top 20. Outside of performing, Caroline is currently a sitting board member with the longest running folk festival in Canada, Mariposa Folk Festival, as well as Muskoka-based advocacy group Safe Quiet Lakes. She and her partner also co-founded Secondhand Sunday, a community reuse and waste reduction program based in Toronto. Enjoy some helpful insights from Caroline:

  • How did you get your start as a creator in the industry?

I started writing music at a young age, inspired by my Dad, who was constantly writing and creating at home. It was just like learning to ride a bike, or hanging from the monkey bars; we learned three chords and got to it. Since then, I’ve been honing my songwriting skills with solo writing, co-writes and with my long-term writing partners Kerri Ough and Susan Passmore (Good Lovelies).

  • Do you have any musical influences who have influenced your style, or who you give a “nod” to whenever possible?

My greatest musical influences are likely Sarah Harmer, and Paul Simon. Those two stick out in my mind as writers who have influenced my songwriting cadence, melodies, and song structure.

  • How did you learn your craft – was it a “formal” or “informal” music education?

Though I spent a lot of my youth in classical guitar lessons, my singing and songwriting craft has been nurtured in informal settings. As I grow older, and mature as a singer-songwriter, I have been finding joy in more formal education, through singing lessons and songwriting workshops. It’s been a fun circuitous way to approach learning my craft.

  • What is the most important “tool” you need when creating, eg. GarageBand, google docs, your cell phone, Pro Tools, or a pad of paper?

I rely heavily on my cellphone to remember interesting lyric ideas and melodies.

  • If the music community could do one thing better what would it be?

Value creators! We need to fight for fair compensation. Miranda Mulholland has been a great voice for we songwriters and performers – we have a long way to make this work sustainable, both financially and for the sake of our mental health. Our product is not sufficiently valued (from a monetary standpoint), and we need to get $$ into the hands of creators so that they can continue to create.

Music creators unite! #CreatorsCount #ProsofSAC 

Pro Member Interview – Ian Thornley

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Born and raised in Toronto, Ian Thornley studied jazz music at Boston’s Berklee College of Music in the 1990s, and formed the band Big Wreck in 1993 with classmates David Henning, Brian Doherty, and Forrest Williams. They soon relocated from Boston to Toronto and eventually signed a US record deal with Atlantic Records. Their 1997 debut album, In Loving Memory Of…, was a significant hit that year on rock radio in both Canada and the United States. His album “Albatross” debuted at No.5 on the Canadian Albums chart and “Ghosts” debuted at #4 on the Billboard Heatseekers chart. Here is our interview with this outstanding music creator:

  • Do you tend to write for one genre, or do you find your music crosses genre lines?

 I tend to just write songs to be good songs overall, instead of writing for a genre specifically. However it comes out is however it comes out, it could have a bit more of this flavour or that flavour, but I’d rather have the song tell me what it wants. I avoid trying to force the song into a specific box. If the song impacts you, it will likely impact others as well.

  • Do you have any musical influences who have influenced your style, or who you give a “nod” to whenever possible?

 I try to give a nod to all of my influences whenever possible, and I never think of it as plagiarism or stealing; I think of it as a cheeky tip of the hat. Hopefully the listener will get that I am getting that I am saying “here is an obvious Led Zeppelin-ism” or “here is an obvious Tom Petty-ism”.

  • What is the most important “tool” you need when creating, eg. GarageBand, google docs, your cell phone, Pro Tools, or a pad of paper?

I actually use an app on my cellphone to record all of my ideas on the fly, and it probably has about 400 new ideas sitting on it. It’s what I go to when recording a new record to tap into all my ideas and riffs.

 

Thank you for being a member of the Songwriters Association of Canada, Ian!